^ Brian Eno and David Byrne, My Life in the Bush of Ghosts | | .uk Arts.Hip-hop Japan: rap and the paths of cultural globalization. 'It's Easy When You're Big In Japan: Yellow Magic Orchestra at The Hollywood Bowl'. ^ Mayumi Yoshida Barakan & Judith Connor Greer (1996).^ a b 'Remixing Culture And Why The Art Of The Mash-Up Matters'.^ a b c d e f g 'Untangling the knotty world of hip-hop copyright'.'When did sampling become so non-threatening?'. ^ 'Meet the unassuming drum machine that changed music forever'.^ 'Hip-hop's most influential sampler gets a 2017 reboot'.^ a b 'Meet the unassuming drum machine that changed music forever'.^ 'The 10 most important hardware samplers in history'.'Hey, what's that sound: Linn LM-1 Drum Computer and the Oberheim DMX'. Archived from the original on 8 July 2008. Perfecting Sound Forever: The Story of Recorded Music. McCann, The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-On-Crime ERA, pages 41-42, University of Alabama Press

^ 'Reggae Wisdom: Proverbs in Jamaican Music'.

^ a b c d e f g h i j 'The Lost Art Of Sampling: Part 1'.

This requires only the publisher's permission, and gives the artist more freedom to alter constituent components (such as separate guitar and drum tracks). To circumvent legal problems, producers may recreate a recording rather than sample it. Producer DJ Shadow used an MPC60 to create his influential 1996 album Endtroducing, which is composed entirely of samples. Big Audio Dynamite pioneered sampling in rock and pop with their 1985 album This Is Big Audio Dynamite. Eno cited Holger Czukay's experiments with dictaphones and shortwave radios as earlier examples of sampling, but felt his and Byrne's innovation had been to make sampling 'the lead vocal'. My Life in the Bush of Ghosts (1981) by David Byrne and Brian Eno is an important early work of sampling, incorporating samples of recordings including Arabic singers, radio disc jockeys, and an exorcist. Japanese electronic music band Yellow Magic Orchestra (YMO) were pioneers in sampling and looping, constructing music by cutting fragments of sounds and looping them Technodelic (1981) was an early example of an album consisting of mostly samples and loops.

Stevie Wonder's 1979 album Journey Through the Secret Life of Plants may be the first album to make extensive use of samples.

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